<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-20594601</id><updated>2011-07-07T19:19:28.217-07:00</updated><title type='text'>Jazz Forum</title><subtitle type='html'>Promoting and Nurturing Music Education in the Community</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://jazzforum.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20594601/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://jazzforum.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Chuck Walker Trio</name><uri>http://www.blogger.com/profile/17361950937301029191</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://bp1.blogger.com/_7v4DKD-ijKw/SBD-mX3Oq1I/AAAAAAAAAHc/_POCz4VmlRE/S220/cw3.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>3</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-20594601.post-116224389529867500</id><published>2006-10-30T13:29:00.000-08:00</published><updated>2008-12-09T01:07:03.370-08:00</updated><title type='text'>History of Jazz Forum</title><content type='html'>Jazz Forum is a music preservation and education society dedicated to promoting jazz education through participation. The goals and purposes of the group, as declared in the &lt;a href="http://jazzforum.blogspot.com/2006/01/jazz-forum-welcomes-you.html"&gt;Mission Statement&lt;/a&gt;, are pursued through open mic jazz sessions, live performance events, master classes by established master musicians, and through the publication of &lt;em&gt;&lt;a href="http://freeforumsandiego.blogspot.com/"&gt;Free Forum&lt;/a&gt;&lt;/em&gt;.&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_7v4DKD-ijKw/RvVsYjEi9UI/AAAAAAAAAFA/KMpyp8vYWB8/s1600-h/jazzforum.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_7v4DKD-ijKw/RvVsYjEi9UI/AAAAAAAAAFA/KMpyp8vYWB8/s400/jazzforum.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5113112120936035650" /&gt;&lt;/a&gt;Originally founded by Charles Walker with the help of Dr. Dee Spencer at &lt;a href="http://www.sfsu.edu/%7Ejazz/"&gt;San Francisco State University&lt;/a&gt; in 1998, Jazz Forum began by holding weekly jazz sessions on the SFSU campus and hosting master classes by Bradford Marsalis, John Handy, Babatunde Olatunji, Regina Carter, Kitty Margolis, Hafez Moderzadeh, John Santos, Wayne Wallace, John Worley, and other Bay Area jazz greats.&lt;br /&gt;&lt;div&gt;&lt;div&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_7v4DKD-ijKw/RvWEJDEi9VI/AAAAAAAAAFI/uehdMNnthTY/s1600-h/jflogo.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://2.bp.blogspot.com/_7v4DKD-ijKw/RvWEJDEi9VI/AAAAAAAAAFI/uehdMNnthTY/s400/jflogo.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5113138242927129938" /&gt;&lt;/a&gt;Having moved to San Diego, and inspired by pianist and composer Dr. Carl Hammond, Charles founded  Jazz Forum at San Diego City College during the Fall 2005 Semester following a summer of enthusiastic open mic sessions at the world famous Hancock Street Café, named in tribute to jazz pianist Herbie Hancock who's picture with the owner is proudly displayed. In what would prove to serve as the foundational template for future open mic events, the Hancock Street Café sessions included a broad and diverse range of musicians and music lovers, congregating weekly to share and celebrate jazz culture.&lt;/div&gt;&lt;div&gt;&lt;span class="Apple-style-span" style="color: rgb(0, 0, 238); text-decoration: underline;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_7v4DKD-ijKw/RvhXbjEi9cI/AAAAAAAAAGA/pB3W3sdJZew/s1600-h/jazzclass.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_7v4DKD-ijKw/RvhXbjEi9cI/AAAAAAAAAGA/pB3W3sdJZew/s400/jazzclass.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5113933507661592002" /&gt;&lt;/a&gt;&lt;br /&gt;Jazz Forum continued with events at the Rhythm Lounge, the Honey Bee Hive, and at Winston’s during the First Annual Ocean Beach Jazz Festival sponsored by Jazz 88.3 KSDS. Reaching out to the community, Jazz Forum plans to continue hosting open mic sessions at a variety of venues throughout San Diego providing an opportunity for more musicians and audiences to enjoy this inclusive art form.&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20594601-116224389529867500?l=jazzforum.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20594601/posts/default/116224389529867500'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20594601/posts/default/116224389529867500'/><link rel='alternate' type='text/html' href='http://jazzforum.blogspot.com/2006/10/history-of-jazz-forum.html' title='History of Jazz Forum'/><author><name>Chuck Walker Trio</name><uri>http://www.blogger.com/profile/17361950937301029191</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://bp1.blogger.com/_7v4DKD-ijKw/SBD-mX3Oq1I/AAAAAAAAAHc/_POCz4VmlRE/S220/cw3.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_7v4DKD-ijKw/RvVsYjEi9UI/AAAAAAAAAFA/KMpyp8vYWB8/s72-c/jazzforum.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-20594601.post-113847420166769942</id><published>2006-01-28T10:48:00.000-08:00</published><updated>2006-11-17T10:02:38.403-08:00</updated><title type='text'>Jazz - A Valuable National American Treasure</title><content type='html'>&lt;strong&gt;Public Law 108-72&lt;br /&gt;108th Congress, 1st Session&lt;br /&gt;SEC.6. SENSE OF CONGRESS REGARDING JAZZ APPRECIATION MONTH.&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;(a) FINDINGS. - Congress finds the following:&lt;br /&gt;(1) On December 4, 1987, Congress approved House Concurrent Resolution 57, designating jazz as "a rare and valuable national American treasure".&lt;br /&gt;(2) Jazz has inspired some of the Nation's leading creative artists and ranks as one of the greatest cultural exports of the United States.&lt;br /&gt;(3) Jazz is an original American art form which has inspired dancers, choreographers, poets, novelists, filmmakers, classical composers, and musicians in many other kinds of music.&lt;br /&gt;(4) Jazz has become an international language that bridges cultural differences and brings people of all races, ages, and backgrounds together.&lt;br /&gt;(5) The jazz heritage of the United States should be appreciated as broadly as possible and should be part of the educational curriculum for children in the United States.&lt;br /&gt;(6) The Smithsonian Institution has played a vital role in the preservation of American culture, including art and music.&lt;br /&gt;(7) The Smithsonian Institution's National Museum of American History has established April as Jazz Appreciation Month to pay tribute to jazz as both a historic and living American art form.&lt;br /&gt;(8) The Smithsonian Institution's National Museum of American History has received great contributions toward this effort from other governmental agencies and cultural organizations.&lt;br /&gt;(b) SENSE OF CONGRESS. - It is the sense of Congress that -&lt;br /&gt;(1) The Smithsonian Institution's National Museum of American History should be commended for establishing a Jazz Appreciation Month; and&lt;br /&gt;(2) musicians, schools, colleges, libraries, concert halls, museums, radio and television stations, and other organization should develop programs to explore, perpetuate, and honor jazz as a national and world treasure.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;House Concurrent Resolution 57&lt;br /&gt;100th Congress of the United States of America&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Written by Rep. John Conyers, Jr. of Detroit, Michigan&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;Passed September 23, 1987&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Jazz: A National American Treasure&lt;br /&gt;&lt;br /&gt;On December 4, 1987, the United States Senate approved House Concurrent Resolution 57 designating Jazz a national American treasure. This resolution was authored by Congressman John Conyers, Jr. (D-Michigan) and sponsored in the Senate by Alan Cranston (D-California).&lt;br /&gt;&lt;br /&gt;The House of Representatives passed the resolution on September 23, 1987, the birthday of saxophonist John Coltrane.&lt;br /&gt;&lt;br /&gt;Whereas, jazz has achieved preeminence throughout the world as an indigenous American music and art form, bringing to this country and the world a uniquely American musical synthesis and culture through the African-American experience and - makes evident to the world an outstanding artistic model of individual expression and democratic cooperation within the creative process, thus fulfilling the highest ideals and aspirations of our republic, is a unifying force, bridging cultural, religious, ethnic and age differences in our diverse society, is a true music of the people, finding its inspiration in the cultures and most personal experiences of the divers peoples that constitute our Nation, has evolved into a multifaceted art form which continues to birth and nurture new stylistic idioms and culture fusions, has had an historic, pervasive and continuing influence on other genres of music both here and abroad, and has become a true international language adopted by musicians around the world as a music best able to express contemporary realities from a personal perspective;&lt;br /&gt;&lt;br /&gt;Whereas, this great American musical art form has not yet been properly recognized nor accorded the institutional status commensurate with its value and importance;&lt;br /&gt;&lt;br /&gt;Whereas, it is important for the youth of America to recognize and understand jazz as a significant part of their cultural and intellectual heritage;&lt;br /&gt;&lt;br /&gt;Whereas, in as much as there exists no effective national infrastructure to support and preserve jazz;&lt;br /&gt;&lt;br /&gt;Whereas, documentation and archival support required by such a great art form has yet to be systematically applied to the jazz field; and&lt;br /&gt;&lt;br /&gt;Whereas, it is in the best interest of the national welfare and all of our citizens to preserve and celebrate this unique art form:&lt;br /&gt;&lt;br /&gt;Now, therefore be it&lt;br /&gt;Resolved by the House of Representatives (the Senate concurring), that it is the sense of the Congress that jazz is hereby designated as a rare and valuable national American treasure to which we should devote our attention, support and resources to make certain it is preserved, understood, and promulgated.&lt;br /&gt;&lt;br /&gt;Passed by the House of Representatives September 23, 1987&lt;br /&gt;Passed by the Senate December 4, 1987&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20594601-113847420166769942?l=jazzforum.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20594601/posts/default/113847420166769942'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20594601/posts/default/113847420166769942'/><link rel='alternate' type='text/html' href='http://jazzforum.blogspot.com/2006/01/jazz-valuable-national-american.html' title='Jazz - A Valuable National American Treasure'/><author><name>Chuck Walker Trio</name><uri>http://www.blogger.com/profile/17361950937301029191</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://bp1.blogger.com/_7v4DKD-ijKw/SBD-mX3Oq1I/AAAAAAAAAHc/_POCz4VmlRE/S220/cw3.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-20594601.post-113657136542699482</id><published>2006-01-06T08:04:00.000-08:00</published><updated>2007-07-25T14:05:04.713-07:00</updated><title type='text'>Jazz Forum Welcomes You</title><content type='html'>&lt;div align="center"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Jazz Forum&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;San Diego City College&lt;br /&gt;&lt;br /&gt;Jazz Forum recognizes the inherent benefits of hands-on learning via the oral tradition through experienced master musicians.&lt;br /&gt;&lt;br /&gt;Musicians, old and young, regardless of skill level, are encouraged to participate in open mic jazz sessions and experience this great American art form. &lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;strong&gt;Mission Statement&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;* Promote and nurture music education in the community&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Goals&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;* Hold open mic jazz sessions&lt;br /&gt;&lt;br /&gt;* Host master classes by professional musicians&lt;br /&gt;&lt;br /&gt;* Publish a music and art periodical&lt;br /&gt;&lt;br /&gt;* Reach out to local elementary and secondary schools with&lt;br /&gt;music workshops &amp;amp; performances&lt;br /&gt;&lt;br /&gt;* Sponsor students to attend International Association of Jazz&lt;br /&gt;Educators conferences &lt;a href="http://www.iaje.org"&gt;www.iaje.org&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Contact Charles Walker about Jazz Forum events in San Francisco and San Diego&lt;br /&gt;&lt;br /&gt;&lt;a href="mailto:jazzwalker@gmail.com"&gt;jazzwalker@gmail.com&lt;/a&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;619-309-5939&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/20594601-113657136542699482?l=jazzforum.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/20594601/posts/default/113657136542699482'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/20594601/posts/default/113657136542699482'/><link rel='alternate' type='text/html' href='http://jazzforum.blogspot.com/2006/01/jazz-forum-welcomes-you.html' title='Jazz Forum Welcomes You'/><author><name>Chuck Walker Trio</name><uri>http://www.blogger.com/profile/17361950937301029191</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='20' src='http://bp1.blogger.com/_7v4DKD-ijKw/SBD-mX3Oq1I/AAAAAAAAAHc/_POCz4VmlRE/S220/cw3.jpg'/></author></entry></feed>
